How to Watch Anime on a Budget – This Week in Anime
Chris and Lucas find their pockets stretched by the multitude of anime streaming services; let’s see how far we can get using legal, free streaming!
Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.
Spoiler Warning for discussion of the series ahead.
Cowboy Bebop, Mobile Suit Gundam: The Witch From Mercury, Mob Psycho 100, and One Piece are currently streaming on Crunchyroll, while Jellyfish Can’t Swim in the Night is available on HIDIVE. Captain of Cosmos, Street Fighter Alpha, Transformers: Armada, and Transformers: Energon are on Tubi, while Sherlock Hound and Allison & Lillia are available on RetroCrush. Space Adventure Cobra is on Freevee, while Pop Team Epic and Dirty Pair are on Pluto TV. Uma Musume Road to the Top, Gundam Build Metaverse, and Mobile Suit Gundam: The Witch From Mercury are all available on YouTube.
Lucas, things are a bit tight this month. The electric bill’s up from running the air conditioner through this heatwave. Oh, and it turns out I’m probably not getting the deposit back on that convention Steve and I tried to host the other week. I gotta find a way to save some money, or it looks like I’m going to be enjoying my bell peppers sans beef for my forthcoming meals.
Times are tough, Chris! We’re all finding ways to scrimp, save, and bring in a lil’ extra on the side!
Why, just last month, I spent money on AT LEAST four different platforms to watch the latest anime and read the latest manga! Will someone good at the economy please tell me what I can do to fix this!??
Now, as anime watchers, things are a little narrower for us, options-wise. Hell, sometimes a service like Funimation will save you the trouble of deciding to budget it out simply by folding all on its own. Still, it’s hard not to feel like you’re getting taken for a ride when you remember that Crunchyroll actually used to have a proper free option.
Also, am I the only one who remembers the partnership between Crunchyroll and Funimation where they split their library along dub/sub lines, and you could watch titles owned by the other based on that distinction? That was rad! Do more consumer-friendly stuff like that, media companies!!!
This leads to looking at another angle of all the money spent watching anime. If you’re a physical media enjoyer (or just wanted to check out a show that might not be streaming), Right Stuf‘s store used to have you covered semi-regularly. I’d often compare their convenient price-slashing promotions to the anime equivalent of Steam Sales. That sort of money-saving maneuver happens…less often now that they’ve turned it into the Crunchyroll Store.
But who even has money to buy merch when most of it goes to just WATCHING anime anyway!??
Still, those streaming services add up, especially as they increase prices and restrict functionality. Depending on your reach, some numbers I crunched indicated you could be dropping an extra $300 to $600 a year to keep up with streaming simulcast releases. That’s not an astronomical amount, but it’d still be enough to put some extra beef in your bell peppers.
Still, I wouldn’t be a good socialist if I didn’t point out where folks could instead find possible alternatives when companies ask you to fork over more and more for diminishing returns.
Yes, the easy answer is “piracy,” but we’re not going to direct you toward a crime that could cost more than that yearly subscription. Fortunately, a more above-board alternative is already being explored, spurred by the shifting cost/value benefits of those premium streaming services.
Ah, Tubi. It’s often the punching bag in the streaming wars. You have to give them credit where it’s due. They’ve got a couple of bangers over there!
You gotta love the multiplicity of this medium letting you assemble a grab bag aiming for the same audience featuring Robot Carnival, Grenadier, Geneshaft, and a South Korean Gundam knockoff. I’m mostly disappointed they couldn’t use Captain of Cosmos‘s infinitely better alternative title.
In my mind, this is what streaming platforms are supposed to look like and is what made them so appealing back when they first started popping off in the late aughts. Here we have a collection of current IPs whose business model revolves around having as wide a distribution as possible (Yu-Gi-Oh!, Digimon, and most Shonen Jump anime), and stuff that’s old enough or underperformed to the point where license holders don’t’ really mind that it’s not generating maximum profits for them (Astro Boy [2003], Blue Dragon, Medabots, etc.). That’s how you discover both mega-popular and super-niche IP, and that elevation is what streaming platforms used to be REALLY GOOD at doing.
Around the same time, I’d hankered to snack on the first season of Dagashi Kashi, which had disappeared from more major outlets seemingly due to licensing weirdness with the Funimation/Crunchyroll changeover. But Tubi, again, had it hanging around!
It felt like the second coming of tripping over anime episodes people had uploaded to YouTube back in the day.
With that being said, I’m still waiting on someone to pick up Baccano! after it got a shout-out at the Crunchyroll Anime Awards this year!
I’d also be remiss if I didn’t mention that, as a Transformers fan, Tubi is the go-to place whenever I want to stream episodes of that franchise‘s various entries, including the anime ones! That’s another conditional recommendation. Transformers: Armada isn’t exactly going to fill the void left by The Witch From Mercury after you’ve canceled your Crunchyroll subscription.
That’s a great point! People shouldn’t have to sacrifice quality while being budget-conscious. Thankfully, the RetroCrush streaming platform offers plenty of older anime of respectable quality, though many are behind a $5-a-month price tag.
Excuse me, I’m being informed that Allison & Lillia came out in 2008 and am now crumbling into dust.
There are a whole bunch of these kinds of services, stuff like Pluto TV, Crackle, Sling TV, etc. They all have seemingly similar libraries, but enough of their quirky inclusions that you can find yourself navigating to a particular platform because you went googling for how to watch one specific show.
Absolutely! A lot of what we’re recommending here for people at opposite ends of the anime fan spectrum: newcomers who want to get a feel for the medium through eclectic titles and old-heads looking to watch something obscure. Unfortunately, there aren’t many options for middle-of-the-road anime fans who mostly just want to watch the big, new titles.
Notably, much of what we’re detailing here is focused on English-speaking audiences streaming in North America. I’m sure there’s a whole other universe of eclectic options for budget-minded anime viewers in other parts of the world.
If we’re going to include watching anime through good old-fashioned cable service, that doesn’t necessarily fit the budget-conscious pursuit of “free.” But I guess you could also argue that you need internet service to at least access most of the streaming platforms we’ve mentioned here, so really, it’s all relative.
That’s true, but considering I’ve only ever watched Toonami through my parent’s cable plan, it’s always been free to me!
Of course, the most straightforward way to get new anime for free is right from the suppliers, which happens more than you might expect in our bold new digital age. You mostly see it when the anime in question is a tie-in for something the company behind it wants to promote, like with Uma Musume uploading all four episodes of Road to the Top to their YouTube channel for people to watch freely.
Does that make it even more apparent that the anime in question is technically a commercial? Yes, but who am I to look an anime gift horse in the mouth?
C’mon, anime industry! Just let me pay for the stuff I actually want to watch! Preferably in a way where I know the people who worked on it are getting most of that money!
The other side of the arrangement is that the mess of modern anime that airs these days can’t be willed into existence without money changing hands at least a few times. If you’re craving creator support, a wealth of indie animators out there are sharing their stuff on various art platforms with digital tip jars ready for you to contribute. But as long as the corporate licenses meet consolidation down to the level that platforms like Crunchyroll strive for, you’ll generally need to front an entry fee to those suits for the new shows.
And you’re right; middlemen and the obfuscation that comes with their presence are just a part of the modern anime landscape. While that’s a bummer, humanity has never really figured out a super ideal way to create and monetize art at scale. So, I guess I can’t be too mad that the economics of one of my favorite artistic mediums is less than ideal.
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